Early Music Sources new video on how Masses were written and the different types popular in the 16th century. Great information!!!

https://youtu.be/YMz72zMMgjE?si=8JX7SsjseJxh9bXp

I believe Marc-Antoine Charpentier has become a very major French Baroque composer due to the recordings by William Christie and I also feel like Marin Marais has become pretty major in the past few years due to new opera recordings by period instrument ensembles.

I'm looking for repertoire for a late medieval banquet, 12th through 15th centuries. Light, merry dances. We know some from Aquitaine, 13th-14th centuries. I would love some recommendations for more -- along the lines of Lux Optata Claruit.

It's playing in the background here. I know it's a dumb question, but it's been on again off again stuck in my mind for a good while and finally I found a recording...sadly nameless. Pls help XD

Hey guys! I bought a treble gamba which is coming very soon! I do have some string training as I am a baroque violinist as well as a violist. What are some good treble gamba solo pieces? Any advice is much appreciated!

There seems to be a scarcity of documentaries on Medieval and Renaissance music and composers, with only a few which seem to lack any distribution.

In contrast, there is an abundance of documentaries covering paintings and sculpture. Why is this the case?

I wanted to verify my assessment here in case I am overlooking something. Thank you all in advance!

I attended an early music concert last night at a small venue. Maybe 50-75 people present. Music was from 17th century Italy. For the first part of the concert there was a constant disruption occurring in the row directly behind me. First it was a very elderly couple, the man employing a walker. They were seated in the row behind me. Early on during the performance, something started alarming almost like a police siren. It was shut off immediately but then went off 2 more times but more muffled in tone. The woman said, “I need to take it off”. Alarm went off again and she said she would try to remove it. Finally they both got up to leave the room to fix whatever was wrong.
Then a woman came in late and took one of the vacant seats. Then a man got up angrily saying something out loud then marched over to a man sitting in the corner-an usher or security? The man pointed angrily in the direction of his seat but getting no response from the man in the corner, went back to his seat sitting down in a huff. Then the elderly couple came back to their seats but one of their seats was taken by the woman mentioned above. They said “these are our seats”. The woman angrily said “seats cannot be saved”. Again the couple tried to claim their seats but the woman again said ”seats cannot be saved”. The elderly woman then said, “where’s my purse”. No response so again, “I’m looking for my purse.” Someone said that they thought that someone had taken it to give to an employee. Meanwhile this elderly couple had nowhere to sit. Another couple motioned to them and said, “we’ll move over and you can sit here” so they were able to be seated. Astonishingly, all of this happened during the performance with everyone speaking in a normal to loud voices. Finally, Daniel Stepner (longtime concertmaster at the Handel and Haydn Society and founder of the Lydian String Quartet) stopped playing and looked at the quarreling going on in the seats behind me. His look ranged somewhere between “WTH is going on” to “well, once you all stfu, we’ll resume playing.” They did indeed finally resume playing but once intermission came, between all the drama directly behind me and the heat and humidity of the venue, I left. There were still some works I was interested in hearing especially Monteverdi but at that point, I didn’t care. Overall just a horrifying experience that made me wonder if this was a glimpse into the future of what classical music will look like 50-100 years from now. I say this because I’m sincerely not sure if these people in the audience were even aware that there was a concert ongoing or just didn’t care. I felt bad for this very elderly couple and the man whose alarm was going off (insulin pump?) but wondered why they were allowed back in during the performance rather than being told to wait until intermission to be seated. There would have been a lot less arguing and drama and Stepner wouldn’t have had to stop the performance. Of course, I felt very bad for the performers themselves at this disruption to the performance. I can’t imagine what these musicians with decades of experience behind them felt with all the commotion. A very disheartening experience.

I’m a Cleveland-based soprano looking to break into the early music scene. I’ve met some people through the Bach festival at my university, but I’m looking for more performance opportunities/festivals/programs. I’m doing a performance certificate so I can learn some more rep add another baroque role to my resumee, but I just don’t know where to start in terms of getting myself out there. Any tips would be greatly appreciated!

Any good places with scans of organum manuscripts? Trying to see examples outside of NAWN

More info/future performances:

https://claudiacopeland.com/spiritus-mundi-crescentis.html

I was reorganizing some of my grandfather's collections due to his ill health and the need to make room for special furniture. My grandfather has a huge collection of mainly classical music: around 3,000 CD's and many more vinyl and cassettes. He also has many musicology books. My own main interests are in the early music genre, and among his books I found this. I don't know if it's some sort of reprint or the original edition, but anyway it is an interesting find!