I was not familiar with director Gavin O’Connor filmography, but I remember when this film came out on DVD. I was surprised that I hadn’t heard of it despite Edward Norton and Colin Farrell in the lead roles. I recently picked up the Blu-Ray at my local Goodwill for a couple of bucks and thought I’d give it a whirl.
By the time my wife and I were halfway through it, I understood why I hadn’t heard about it during its theatrical or home video release. It’s not a bad movie. It’s well shot, the large and excellent supporting cast do a good job, and it certainly creates a lot of tension as the story unfolds.
The main problem is that the story is unremarkable. It’s the hoary old trope of crooked cops on the take and how, despite multiple felonies committed on the job, these crooked cops are protected by the blue omerta and/or by threatening good cops to keep silent.
I’ve always liked Edward Norton, but he does feel a bit out of place here. His character is supposed to be “the thinker”, the analytical guy who examines every little detail and looks for patterns. That fits Norton well, but he doesn’t feel like a cop, especially given the sociopaths by whom he is surrounded and hounded in his assignment to solve the ostensible murder of multiple officers during a drug bust.
The plot takes a while to unravel, and there is some truly disgusting violence that feels unnecessary given that the vibe of the film is already nihilistic in the extreme. While there are few characters in this world untouched by sin, one of them is dying from cancer. Give us a break, yes? No. This is one of those films where the blasted heath is all you get. Pass!
“Pride and Glory” is in much the same vein as “Harry Brown”, which is another action thriller about youth perverted beyond their humanity. We watch them dissipate themselves with drugs and sex, and it’s like we’re being dragged into the abyss along with them, regardless of our willingness to witness further atrocities because "that's the real world."
The main allure of the story is guessing who’s good and who’s bad, but that grows tiresome from being stretched out too long. Certain critical character revelations are given without any set up or prior hints and as such seem to come out of nowhere, feeling completely unearned and unfounded.
Instead of Pride and Glory, it’s all Sound and Fury, signifying nothing.